Ruan Lotter & Martin Venter
26 August . 3 min read . Opinion
Out of Home (OOH) advertising has a long and storied history. It can be traced back to the earliest civilisations when Egyptians built tall stone structures to publicise laws and treaties. Remarkably, due to the eruption of Vesuvius in 79 CE, we also have evidence of hand-written notices in Pompeii advertising shows, similar to modern posters. Fast forward to the 1830s in the USA, and we see the first billboards popping up. This historical lineage highlights the enduring nature of OOH advertising as a medium for public communication.
Jump to the digital age, and one of the rising stars in the OOH-game is Augmented Reality (AR) due to its ability to create interactive experiences for consumers. The most popular methods used are with QR codes. These codes can be displayed as printed material or on digital screens. When someone points their phone camera at the QR code, it triggers an AR experience on their phone’s screen, such as 3D animations that interact with the real world, games, a link to a website, or detailed product information, or even competitions.
AR experiences are inherently interactive and engaging, and this encourages consumers to spend more time with the advertisement. The immersive nature of AR makes it more likely that consumers will remember the advertisement and the brand. AR in OOH advertising creates a bridge between the physical and digital worlds, offering consumers interactive and immersive experiences that traditional advertising methods simply cannot match. These user generated, screen recorded videos are ideal for sharing online to further the reach of your audience.
The landscape of content sharing has evolved dramatically. Bloggers publish around 7.5 million posts on the internet per day, while close to 70,000 photos and videos are uploaded to Instagram every minute, alongside an average of 510,000 comments made on Facebook. TikTok alone sees 625 million videos viewed every internet minute. With the introduction of digital screens and techniques like forced perspective and anamorphic content, OOH campaigns have started making their way online more often, creating a vibrant and dynamic advertising environment. And no other campaign understands this environment quite like FOOHs do.
So, what exactly are FOOHs? Fake/Faux Out-of-Home (FOOH) advertisements are digital creations that appear to be real-world installations, captured in the moment. They typically combine real-world footage with added visual effects (VFX) and 3D elements to craft social media content that is memorable and, more importantly, shareable.
At the beginning of 2024, global ad spend on the OOH advertising market is projected to reach nearly $30 billion. With billboards now seen everywhere, the advertising space can feel cluttered. However, FOOH bridges the gap between traditional OOH and digital marketing, putting an exciting spin on advertising as VFX allows for concepts and ideas that would be impossible or too expensive to achieve in the real world, making FOOH a powerful tool for creative and impactful advertising.
These videos are gaining popularity among top brands, who recognise their potential for virality on social media. We’ve seen videos with Big Ben wearing a jacket, buses having mascara applied, and recently, Olympic circles with runners on top rolling down the street. And here in South Africa we’ve seen some of our most famous landscapes in ways we could never have imagined. VFX can truly lead to a world where anything is possible, but the combination with the world as we know it is where the FOOH magic lies.
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There has been much debate online on whether FOOH advertisement is something that should be explored as it could lead to less real-life implementation and opportunity in the Out of Home space. If history is anything to go by, experiencing something first hand and in person will always be the most effective with a longer lasting impression. These real-life activations will continue to evolve in its own space – and the best ones will certainly make their way online. But for those wanting to bend or break reality with their campaign, a FOOH will be for you.
Whether you love FOOHs or not, these advertisements can reach a global audience, leveraging the power of social media to spread eye-catching content far and wide. This crossover into digital marketing not only expands the reach of OOH advertising but also injects a new level of creativity and engagement, ensuring that FOOH is a trend that will continue to grow and evolve. And who knows where FOOHs will lead us next.
Latch Dammit (latchdammit.tv) is a boutique 3D animation & VFX studio focusing on OOH Advertising.
Latch Dammit was founded in 2023 when Ruan Lotter and Martin Venter joined their skills and experience in advertising and the entertainment industry.